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Performing Desire

Author(s): Dolan, Jill; Wolf, Stacy

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dc.contributor.authorDolan, Jill-
dc.contributor.authorWolf, Stacy-
dc.date.accessioned2022-01-25T15:02:27Z-
dc.date.available2022-01-25T15:02:27Z-
dc.date.issued2014-12-01en_US
dc.identifier.citationDolan, Jill, and Stacy Wolf. "Performing Desire." TDR/The Drama Review 58, no. 4 (2014): 8-11. doi:10.1162/DRAM-a-00393.en_US
dc.identifier.issn1054-2043-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/pr1xp6v339-
dc.description.abstractThe concept of desire has been theoretically renewed and rewritten constantly in the academy, and yet, it continues to motivate our spectatorship, our scholarship, and our criticism. This issue represents an eclectic and powerful reminder of how desire remains an optic through which we see, feel, and think about performance.en_US
dc.format.extent8 - 11en_US
dc.language.isoen_USen_US
dc.relation.ispartofTDR/The Drama Reviewen_US
dc.rightsFinal published version. Article is made available in OAR by the publisher's permission or policy.en_US
dc.titlePerforming Desireen_US
dc.typeJournal Articleen_US
dc.identifier.doidoi:10.1162/DRAM-a-00393-
dc.identifier.eissn1531-4715-
pu.type.symplectichttp://www.symplectic.co.uk/publications/atom-terms/1.0/journal-articleen_US

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